Calendar

Jun
21
Thu
2018
BAT script club – Breadcrumbs @ Merrill Gardens - Burien
Jun 21 @ 1:30 pm – 2:30 pm

In June, BAT’s script club is reading Breadcrumbs by Jennifer Haley.

““Words, words, words,” Hamlet sneered at Polonius, who had asked him what he was reading, but to Alida, a brilliant writer now in the early stages of Alzheimer’s disease, they are the guideposts which will keep her memories aglimmer even as her synapses misfire. They are, to the fiercely independent and private Alida, the equivalent of Gretel’s breadcrumbs: a device to keep wicked forces at bay, and to show the way home.”

Breadcrumbs is the story of how an author comes to live with her dementia. The fear, the joy, the loss of trust, the rage and the peace that her breadcrumbs bring her.

Jun
22
Fri
2018
HERE // HEAR – dance, singing, and a movement chorus @ Burien Actors Theatre
Jun 22 @ 8:00 pm – 10:00 pm
HERE // HEAR, a full-evening length, new dance performance by choreographer Kris Wheeler and singer Ivory Smith.
 
DANCERS: Noelle Chun, Katherine Cook, Mary Margaret Moore, Calie Swedberg and Kris Wheeler
 
With movement chorus and live singing, HERE // HEAR is designed to be an immersive experience into sounds that become music and movement impulses that become dance. HERE // HEAR aims to activate the audience’s own states of listening and seeing. HERE // HEAR is a celebration of moving bodies and moving voices, stillness, silence, sound, and attentive response to change.
Jun
23
Sat
2018
HERE // HEAR – dance, singing, and a movement chorus @ Burien Actors Theatre
Jun 23 @ 8:00 pm – 10:00 pm
HERE // HEAR, a full-evening length, new dance performance by choreographer Kris Wheeler and singer Ivory Smith.
 
DANCERS: Noelle Chun, Katherine Cook, Mary Margaret Moore, Calie Swedberg and Kris Wheeler
 
With movement chorus and live singing, HERE // HEAR is designed to be an immersive experience into sounds that become music and movement impulses that become dance. HERE // HEAR aims to activate the audience’s own states of listening and seeing. HERE // HEAR is a celebration of moving bodies and moving voices, stillness, silence, sound, and attentive response to change.
Jun
24
Sun
2018
HERE // HEAR – dance, singing, and a movement chorus @ Burien Actors Theatre
Jun 24 @ 2:00 pm – 4:00 pm
HERE // HEAR, a full-evening length, new dance performance by choreographer Kris Wheeler and singer Ivory Smith.
DANCERS: Noelle Chun, Katherine Cook, Mary Margaret Moore, Calie Swedberg and Kris Wheeler
With movement chorus and live singing, HERE // HEAR is designed to be an immersive experience into sounds that become music and movement impulses that become dance. HERE // HEAR aims to activate the audience’s own states of listening and seeing. HERE // HEAR is a celebration of moving bodies and moving voices, stillness, silence, sound, and attentive response to change.
Jun
25
Mon
2018
Auditions for Dr. Frankenstein by Selma Dimitrijevic @ Burien Actors Theatre
Jun 25 @ 7:00 pm – 10:00 pm

This is not your father’s Frankenstein.

In this startlingly fresh, lyrical and haunting contemporary adaptation of Mary Shelley’s classic novel, Dr. Frankenstein is reimagined as a woman.

Victoria Frankenstein and her articulate Creature tell a thought-provoking story that follows Mary Shelley’s book more closely than other productions, but with wonderful new twists and an exploration of what happens when we don’t try to understand “the other”—and what happens when we do. This is a Northwest premiere.

Burien Actors Theatre is thrilled to be casting Selma Dimitrijevic’s Dr. Frankenstein

Performances are at BAT in Burien from Oct. 5 through Oct. 28, 2018. Showtimes are Friday and Saturday nights at 8 p.m. and Sundays at 2 p.m.

Rehearsals begin Aug. 26 at BAT on Sunday afternoons or evenings plus Monday through Thursday evenings, exact times to be determined, until tech week. The focus during the Aug. 26 week of rehearsal will likely be on Victoria and the Creature. In addition, an early table read may be scheduled during the second half of August.

BAT has free on-site parking and is two blocks from the Burien Transit Center.

The directors are Beau Prichard and Barbara Cawley.

$200 stipend provided.

Auditions are at Burien Actors Theatre on Monday, June 25 from 7 to 10 p.m. and Tuesday, June 26 from 7 to 10 p.m. Callbacks will be at Burien Actors Theatre on Wednesday, June 27 from 6:30 to 10 p.m. If any of these dates is problematic for you, don’t let it stop you–please let us know.

Auditions will be in 10-minute slots. You will be provided a monologue from the show to prepare (you do not have to be off book, but please get familiar with it) and you will be asked to deliver it, likely more than once. You should bring your resume and headshot to the audition.

Please make audition appointment:  [email protected], 206-242-5180. Auditions will be held at Burien Actors Theatre, 14501 Fourth Ave S.W., Burien. For directions, go to https://burienactorstheatre.org/about-bat/visit

Character Descriptions/Requirements

NOTE: Seeking actors of all races, ethnicities, gender identities, gender expressions and physical/mental ability for all roles. Actors do not have to be the ages indicated, but must be able to convincingly portray them. 

 NOTE: This play is set in 1831. Costuming, speech, etc. will be era-appropriate. British dialect is expected for everyone except perhaps the Creature.

Dr. Victoria Frankenstein (early 20s): A singularly driven person. She does not view herself as playing God, she views herself as trying to save mankind from its own mortality. It is the only thing that matters to her. In her culture and her education, her gender has been a constant obstacle to her achievements.

Creature (adult male): A drowning victim who has been brought back to life. We know nothing about the man he was before. He is not necessarily big, but he is very powerful. He cannot be harmed, but he does feel pain. His station in life has made him bitter and angry. Vocal and movement work will be *very* important for this character, so performers with strong grounding in those disciplines are highly encouraged.

Henry (early 20s): A peer of Victoria and Elizabeth. Grew up with the sisters, gets engaged to Elizabeth. Represents the ideals of the age. He has a dream he cannot pursue because of his obligations. It was probably inevitable he would marry into the Frankenstein family.

Elizabeth (early 20s): Victoria’s adopted sister. Also represents the ideas of the age. In the absence of their dead mother, Victoria should have become the “homemaker” to the Frankenstein family. Elizabeth filled this role instead. Strong sense of obligation and propriety.

Justine (late 20s): The caretaker for Dr. Frankenstein’s young son. Did some of her growing up alongside the Frankenstein girls, so is virtually family. She represents the voice and power of religion in this era. She has deeply-held beliefs that are very important to her.

Dr. Frankenstein Senior (40s-60s): A traditional and appropriate patriarch. Has successfully provided for a large family in the absence of his dead wife. Is a physician, has strong religious convictions. His faith in God is more important to him than his faith in science. He loved his wife and lives in the vacuum she left behind with two daughters and a young son.

Mary (40s-60s): The woman who runs the household along with Elizabeth. She has been with the family for many years and is as close as a servant can get to family. She has a quiet strength. She hears much more than she says.

Jun
26
Tue
2018
Auditions for “Dr. Frankenstein” by Selma Dimitrijevic @ Burien Actors Theatre
Jun 26 @ 7:00 pm – 10:00 pm

This is not your father’s Frankenstein.

In this startlingly fresh, lyrical and haunting contemporary adaptation of Mary Shelley’s classic novel, Dr. Frankenstein is reimagined as a woman.

Victoria Frankenstein and her articulate Creature tell a thought-provoking story that follows Mary Shelley’s book more closely than other productions, but with wonderful new twists and an exploration of what happens when we don’t try to understand “the other”—and what happens when we do. This is a Northwest premiere.

Burien Actors Theatre is thrilled to be casting Selma Dimitrijevic’s Dr. Frankenstein

Performances are at BAT in Burien from Oct. 5 through Oct. 28, 2018. Showtimes are Friday and Saturday nights at 8 p.m. and Sundays at 2 p.m.

Rehearsals begin Aug. 26 at BAT on Sunday afternoons or evenings plus Monday through Thursday evenings, exact times to be determined, until tech week. The focus during the Aug. 26 week of rehearsal will likely be on Victoria and the Creature. In addition, an early table read may be scheduled during the second half of August.

BAT has free on-site parking and is two blocks from the Burien Transit Center.

The directors are Beau Prichard and Barbara Cawley.

$200 stipend provided.

Auditions are at Burien Actors Theatre on Monday, June 25 from 7 to 10 p.m. and Tuesday, June 26 from 7 to 10 p.m. Callbacks will be at Burien Actors Theatre on Wednesday, June 27 from 6:30 to 10 p.m. If any of these dates is problematic for you, don’t let it stop you–please let us know.

Auditions will be in 10-minute slots. You will be provided a monologue from the show to prepare (you do not have to be off book, but please get familiar with it) and you will be asked to deliver it, likely more than once. You should bring your resume and headshot to the audition.

Please make audition appointment:  [email protected], 206-242-5180. Auditions will be held at Burien Actors Theatre, 14501 Fourth Ave S.W., Burien. For directions, go to https://burienactorstheatre.org/about-bat/visit

Character Descriptions/Requirements

NOTE: Seeking actors of all races, ethnicities, gender identities, gender expressions and physical/mental ability for all roles. Actors do not have to be the ages indicated, but must be able to convincingly portray them. 

 NOTE: This play is set in 1831. Costuming, speech, etc. will be era-appropriate. British dialect is expected for everyone except perhaps the Creature.

Dr. Victoria Frankenstein (early 20s): A singularly driven person. She does not view herself as playing God, she views herself as trying to save mankind from its own mortality. It is the only thing that matters to her. In her culture and her education, her gender has been a constant obstacle to her achievements.

Creature (adult male): A drowning victim who has been brought back to life. We know nothing about the man he was before. He is not necessarily big, but he is very powerful. He cannot be harmed, but he does feel pain. His station in life has made him bitter and angry. Vocal and movement work will be *very* important for this character, so performers with strong grounding in those disciplines are highly encouraged.

Henry (early 20s): A peer of Victoria and Elizabeth. Grew up with the sisters, gets engaged to Elizabeth. Represents the ideals of the age. He has a dream he cannot pursue because of his obligations. It was probably inevitable he would marry into the Frankenstein family.

Elizabeth (early 20s): Victoria’s adopted sister. Also represents the ideas of the age. In the absence of their dead mother, Victoria should have become the “homemaker” to the Frankenstein family. Elizabeth filled this role instead. Strong sense of obligation and propriety.

Justine (late 20s): The caretaker for Dr. Frankenstein’s young son. Did some of her growing up alongside the Frankenstein girls, so is virtually family. She represents the voice and power of religion in this era. She has deeply-held beliefs that are very important to her.

Dr. Frankenstein Senior (40s-60s): A traditional and appropriate patriarch. Has successfully provided for a large family in the absence of his dead wife. Is a physician, has strong religious convictions. His faith in God is more important to him than his faith in science. He loved his wife and lives in the vacuum she left behind with two daughters and a young son.

Mary (40s-60s): The woman who runs the household along with Elizabeth. She has been with the family for many years and is as close as a servant can get to family. She has a quiet strength. She hears much more than she says.

Jul
5
Thu
2018
Auditions for the romantic comedy “Handle with Care” @ Burien Actors Theatre
Jul 5 @ 7:00 pm – 10:00 pm

From the writer of BAT’s hit production Church & State, this delightfully fresh holiday show is a romantic holiday comedy dusted with magic.

Ayelet, a young Israeli woman with little command of English, reluctantly travels with her grandmother to America at Christmastime. Circumstances both hilarious and sad bring Ayelet together with Josh, a young man who has little command of romance. Is their attraction an accident, or destiny generations in the making? “Hilarious and heartwarming”—NY Times. A Northwest premiere.

As is typical in a Jason Odell Williams script, Handle with Care has a heart and depth that required attention and a careful balance of comedy and drama. The script also calls for a strong ensemble cast of four actors, two male, and two female. Actors do not have to be the ages indicated but must be able to convincingly portray them. The intent in casting is to be as consistent as possible with the time, place and circumstances in which the play is set.

Burien Actors Theatre is thrilled to be casting Jason Odell Williams’ Handle with Care. Performances are at BAT in Burien from Nov. 23 through Dec. 16, 2018. Showtimes are Friday and Saturday nights at 8 p.m. and Sundays at 2 p.m.

Rehearsals begin Oct. 14 at BAT on Monday through Thursday evenings, plus Saturday afternoons or Sunday afternoons or evenings, exact times to be determined, until tech week.

BAT has free on-site parking and is two blocks from the Burien Transit Center.

The directors are Rochelle Flynn and Maggie Larrick, who have co-directed five productions together.

$200 stipend provided.

Auditions are at Burien Actors Theatre on Thursday, July 5 from 7 to 10 p.m. and Saturday, July 7 from 1 to 4 p.m. Callbacks will be at Burien Actors Theatre on Sunday, July 8 from 6 to 10 p.m. If any of these dates is problematic for you, let us know to see if we can work around it.

Auditions will be in 10-minute slots. Please prepare two contrasting contemporary monologues (serious/comedic) totaling no more than 3 minutes. Please also bring resume and headshot. Callbacks will consist of cold readings from the script.

Please make audition appointment:  [email protected], 206-242-5180. Auditions will be held at Burien Actors Theatre, 14501 Fourth Ave S.W., Burien. For directions HERE.

Character Descriptions/Requirements

 NOTE: The intent in casting is to be as consistent as possible with the time, place and circumstances in which the play is set. Actors do not have to be the ages indicated but must be able to convincingly portray them. 

Ayelet (30-39): Israeli. Lovely, but has lost her smile. Wounded by a breakup last year, but not quick to cry. Practical. Focused. Searching for more from life, but afraid to admit it. Speaks Hebrew (pronunciations and dialect coaching provided).

Terrence (30-39): American with a Virginia accent. Works as a delivery guy for DHX. Kind of a screw-up, but very well-meaning. Not an idiot, just not worldly. A solid good guy. Funny without meaning to be.

Josh (30-39): American. Jewish heritage. Attractive with an innately charming-shy-funny way about him. Tends to talk more quickly when nervous. Used to be an English Lit teacher at Virginia Tech, but quit after his wife died. Though wounded by his loss, he doesn’t like to dwell on the emotion and never becomes overly weepy when talking about her. Speaks a few Hebrew words (pronunciations and dialect coaching provided).

Edna (70-plus): Israeli. Ayelet’s grandmother. Loves life. Loves to smile. A ball of vitality, vigor, and energy. Believes in true love and comes to America to seek her lost love. Speaks a few Hebrew words (pronunciations and dialect coaching provided).

Jul
7
Sat
2018
Auditions for the romantic comedy “Handle with Care” @ Burien Actors Theatre
Jul 7 @ 1:00 pm – 4:00 pm

From the writer of BAT’s hit production Church & State, this delightfully fresh holiday show is a romantic holiday comedy dusted with magic.

Ayelet, a young Israeli woman with little command of English, reluctantly travels with her grandmother to America at Christmastime. Circumstances both hilarious and sad bring Ayelet together with Josh, a young man who has little command of romance. Is their attraction an accident, or destiny generations in the making? “Hilarious and heartwarming”—NY Times. A Northwest premiere.

As is typical in a Jason Odell Williams script, Handle with Care has a heart and depth that required attention and a careful balance of comedy and drama. The script also calls for a strong ensemble cast of four actors, two male, and two female. Actors do not have to be the ages indicated but must be able to convincingly portray them. The intent in casting is to be as consistent as possible with the time, place and circumstances in which the play is set.

Burien Actors Theatre is thrilled to be casting Jason Odell Williams’ Handle with Care. Performances are at BAT in Burien from Nov. 23 through Dec. 16, 2018. Showtimes are Friday and Saturday nights at 8 p.m. and Sundays at 2 p.m.

Rehearsals begin Oct. 14 at BAT on Monday through Thursday evenings, plus Saturday afternoons or Sunday afternoons or evenings, exact times to be determined, until tech week.

BAT has free on-site parking and is two blocks from the Burien Transit Center.

The directors are Rochelle Flynn and Maggie Larrick, who have co-directed five productions together.

$200 stipend provided.

Auditions are at Burien Actors Theatre on Thursday, July 5 from 7 to 10 p.m. and Saturday, July 7 from 1 to 4 p.m. Callbacks will be at Burien Actors Theatre on Sunday, July 8 from 6 to 10 p.m. If any of these dates is problematic for you, let us know to see if we can work around it.

Auditions will be in 10-minute slots. Please prepare two contrasting contemporary monologues (serious/comedic) totaling no more than 3 minutes. Please also bring resume and headshot. Callbacks will consist of cold readings from the script.

Please make audition appointment:  [email protected], 206-242-5180. Auditions will be held at Burien Actors Theatre, 14501 Fourth Ave S.W., Burien. For directions HERE.

Character Descriptions/Requirements

 NOTE: The intent in casting is to be as consistent as possible with the time, place and circumstances in which the play is set. Actors do not have to be the ages indicated but must be able to convincingly portray them. 

Ayelet (30-39): Israeli. Lovely, but has lost her smile. Wounded by a breakup last year, but not quick to cry. Practical. Focused. Searching for more from life, but afraid to admit it. Speaks Hebrew (pronunciations and dialect coaching provided).

Terrence (30-39): American with a Virginia accent. Works as a delivery guy for DHX. Kind of a screw-up, but very well-meaning. Not an idiot, just not worldly. A solid good guy. Funny without meaning to be.

Josh (30-39): American. Jewish heritage. Attractive with an innately charming-shy-funny way about him. Tends to talk more quickly when nervous. Used to be an English Lit teacher at Virginia Tech, but quit after his wife died. Though wounded by his loss, he doesn’t like to dwell on the emotion and never becomes overly weepy when talking about her. Speaks a few Hebrew words (pronunciations and dialect coaching provided).

Edna (70-plus): Israeli. Ayelet’s grandmother. Loves life. Loves to smile. A ball of vitality, vigor, and energy. Believes in true love and comes to America to seek her lost love. Speaks a few Hebrew words (pronunciations and dialect coaching provided).

Jul
19
Thu
2018
BAT Script Club – July 2018 @ Merrill Gardens - Burien
Jul 19 @ 1:30 pm – 2:30 pm

Marriage and friendship are gently explored in Dinner with Friends, a Pulitzer Prize-winning play from 1998. Through humor and intelligent dialogue, the story unfolds.

The play looks at the relationship between two married couples: food writers Gabe and Karen, whose marrige appears to be doing well, and artist Beth and her husband lawyer Tom whose marriage, we learn is breaking up.

 

Jul
29
Sun
2018
BAT Volunteer Party
Jul 29 @ 4:00 pm – 7:00 pm

Contact BAT for location!

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